I had intended to draw an entire page. We started brainstorming, one of my favorite parts of the process. She would put an idea on the table, and I would build on it. For about an hour we played off each other ideas. Never saying "no" to an idea, but "yes, and...." Ideas need to keep moving. In a creative discussion you have to nurture an idea and let it grow. After a few acting sessions and dialog run-throughs, we whittled it down to a four panel page of suspense.
REVENGE
Scene 1: Little girl sitting on bed, stream of light cuts through the darkness.
Scene 2: Mom and Dad taking stance in the court yard.
MOM
YOU ALL MUST DIE!
DAD
Quite, Shi's sleeping. This is crazy, why are you doing this?
YOU ALL MUST DIE!
DAD
Quite, Shi's sleeping. This is crazy, why are you doing this?
Scene 3: Daughter sneaking down the hall.
Scene 4: Mom horizontally strikes at Dad. Dad jumps above sword coming down with a death blow. Shi is watching in the background.
DAD
Revenge is for the weak.
SHI
Daddy nooooo!
Revenge is for the weak.
SHI
Daddy nooooo!
Stoked the writing went so quickly I jump into drawing the page. I thumbnailed a sketch while we were brainstorming and another full page thumbnail to work out some detail. Two thumbnails later I was ready to draw, well not really. I became extremely frustrated that I couldn't get the look and feel I wanted. I focused my attention on the last scene. I wrestled with this scene for 2 hours and couldn't get it. I needed to see their faces, but when I began to draw the faces the picture would go south. How could I draw these characters fighting if I had no idea what they looked like. I stopped, sat back on my bed and drew out what the Dad looked like. Asking myself what are his shapes? The designs flowed out pretty easily, and now that I knew them a little better I could put them in a scene.
I reread the script and began drawing the scene again. This time I understood the father's build and the mom's elegance. I worked this into the action. Mom's dress really helps to emphasis her movement and Dad's short stature makes it easy to compress his body enough to stay in the frame. I also realize that this is not my final image but a sketch for the actual page. I wasted a lot of time trying to save time, and it bit me. Do yourself the favor, and take time to plan things out.
I reread the script and began drawing the scene again. This time I understood the father's build and the mom's elegance. I worked this into the action. Mom's dress really helps to emphasis her movement and Dad's short stature makes it easy to compress his body enough to stay in the frame. I also realize that this is not my final image but a sketch for the actual page. I wasted a lot of time trying to save time, and it bit me. Do yourself the favor, and take time to plan things out.
SCRIPT>THUMBNAIL>DESIGN>TELL STORY
1 comment:
Very right on! Character design is really crucial to any story. The shape and build of a characters suggest/reveal so much about them. It also helps create a visual shorthand that can aid in moving the reader thru the story. Nice stuff!
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